Chicago Public Radio: “Eight Forty-Eight—November 11, 2005”

We’re joined by Seventh Circuit U.S. Court of Appeals Judge Richard Posner, who argues that the U.S. government is not prepared to protect citizens from disasters. Then, we bring you the personal story of one soldier’s time in Iraq and the experiences that caused him to change his opinion of the war. And, Chicago Public Radio’s Lucia Mauro talks with a man whose roots in Vietnam shape the dances he choreographs.

Plus, we talk to Sadhu Johnston, Commissioner of the City of Chicago Department of Environment, about what the city is doing to help residents deal with the high cost of heat, and the Chicago Tribune’s Michael Hawthorne tells us why high electricity costs may be bad news for the Great Lakes. Plus, we find out why some environmentalists are opposed to dredging the St. Lawrence Seaway.

The Southern Illinoisan: “CAbP appealing to anyone who likes music and dancing”

Chicago Afrobeat Project: 9 p.m., Jan. 20, Hangar 9, Carbondale. A unique combination of rock, jazz and funk mixed with African drum beats. Cover charge: $4-$5. For more information, call (618) 549-0511.

The Chicago Afrobeat Project, a nine-member 70s funk- and jazz-infused ensemble, has developed a sound combining rock, jazz, funk and African percussion into a unique percussion-heavy sound that draws audiences from all walks of life — and gets them dancing.

Political activist Fela Kuti created the urban, contemporary sound of Afrobeat that was influenced by artists such as James Brown and Parliament. According to project member and trombone player Mark Thomson, Afrobeat is a “mix of American funk music and jazz originally developed in Africa, but it has more percussion.”

Chicago Reader: “The Reader’s Guide to World Music Festival”

This article originally appeared in the Chicago Reader.

This recently formed local nine-piece is dedicated to advancing Afrobeat, the funky music developed and popularized by Nigerian legend Fela Kuti. In its tightly wound grooves the group displays a strong jazz sensibility a la electric Miles Davis and just the right amount of restraint: the horns sit out while the percussion percolates beneath extended electric-piano solos, and things are left to simmer for a while en route to the frenzied climaxes. What’s missing from the classic Afrobeat recipe is vocals: call-and-response chanting worked well for Fela, and a bit of it here would help this band take it to the next level.